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CORE INSTRUMENTATION — these instruments are STRUCTURAL to this song, not decorative, MiniMax MUST render each one audibly: violin, piano, guitar. INSTRUMENT DIRECTIONS — hard constraint, AI must obey LITERALLY, do not drop or substitute: Pop violin + piano in the intro, acoustic guitar arpeggio on the outro, pop violin + piano in the intro. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE RASPY TENOR LOCK — do not smooth the rasp, keep the grain: raspy soulful pop-rock tenor, blues-piano-driven phrasing, signature vibrato on line-endings, warm chest-voice mid, grainy high notes, church-piano-with-a-cigarette-rasp texture. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: raspy soulful pop-rock tenor (E3-C5) — blues-piano-driven phrasing with signature vibrato on line-endings, warm chest-voice mid with grainy high notes, church-piano-with-a-cigarette-rasp aesthetic. Ragged sincerity on the hook, hip-slung barroom keyboard swagger. Reference: I Don't Wanna Be / Not Over You / We Belong Together / Chariot. Solo male ONLY, no female backing, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: A major. 92BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. FEATURE INSTRUMENTS: acoustic + electric guitar (tasteful licks under verses, spotlight melodies on intro/outro) AND grand piano (carrying the harmony, tasteful runs under each verse) — spotlight all 2 as layered leads, staggering their entrances across intro/verse/chorus/bridge so each has a moment throughout the mix. PRODUCTION DNA: 94 BPM in G-major, polished pop drums, warm sub-bass, gentle acoustic-guitar bed with tasteful electric fills, understated adult-radio mix, no aggressive drops. Genre fusion: soul-pop × piano-blues × adult-contemporary. Blend these 3 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel REMIX v2 — Acoustic Unplugged edit in the MTV Unplugged tradition: strip out ALL drums and electronics. Rebuild the arrangement around a fingerpicked acoustic guitar and a soft grand piano. Keep the same melody, same lyrics, same voice — but perform it as an intimate campfire ballad. Add subtle strings and a light brush-on-snare only on the bridge. Vocal should feel closer, more vulnerable, breathy in verses and lifted in choruses. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

CORE INSTRUMENTATION — these instruments are STRUCTURAL to this song, not decorative, MiniMax MUST render each one audibly: violin, piano, guitar. INSTRUMENT DIRECTIONS — hard constraint, AI must obey LITERALLY, do not drop or substitute: Pop violin + piano in the intro, acoustic guitar arpeggio on the outro, pop violin + piano in the intro. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE RASPY TENOR LOCK — do not smooth the rasp, keep the grain: raspy soulful pop-rock tenor, blues-piano-driven phrasing, signature vibrato on line-endings, warm chest-voice mid, grainy high notes, church-piano-with-a-cigarette-rasp texture. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: raspy soulful pop-rock tenor (E3-C5) — blues-piano-driven phrasing with signature vibrato on line-endings, warm chest-voice mid with grainy high notes, church-piano-with-a-cigarette-rasp aesthetic. Ragged sincerity on the hook, hip-slung barroom keyboard swagger. Reference: I Don't Wanna Be / Not Over You / We Belong Together / Chariot. Solo male ONLY, no female backing, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: A major. 92BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. FEATURE INSTRUMENTS: acoustic + electric guitar (tasteful licks under verses, spotlight melodies on intro/outro) AND grand piano (carrying the harmony, tasteful runs under each verse) — spotlight all 2 as layered leads, staggering their entrances across intro/verse/chorus/bridge so each has a moment throughout the mix. PRODUCTION DNA: 94 BPM in G-major, polished pop drums, warm sub-bass, gentle acoustic-guitar bed with tasteful electric fills, understated adult-radio mix, no aggressive drops. Genre fusion: soul-pop × piano-blues × adult-contemporary. Blend these 3 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel REMIX v2 — Acoustic Unplugged edit in the MTV Unplugged tradition: strip out ALL drums and electronics. Rebuild the arrangement around a fingerpicked acoustic guitar and a soft grand piano. Keep the same melody, same lyrics, same voice — but perform it as an intimate campfire ballad. Add subtle strings and a light brush-on-snare only on the bridge. Vocal should feel closer, more vulnerable, breathy in verses and lifted in choruses. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

CORE INSTRUMENTATION — these instruments are STRUCTURAL to this song, not decorative, MiniMax MUST render each one audibly: violin, piano, guitar. INSTRUMENT DIRECTIONS — hard constraint, AI must obey LITERALLY, do not drop or substitute: Pop violin + piano in the intro, acoustic guitar arpeggio on the outro, pop violin + piano in the intro. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE SOUL HIGH-BARITONE / TENOR LOCK (C#3-A4) — HOLD THE LOW C#3-E3 CHEST REGISTER on verses, do not smooth the mask-placed grit, do not shift to smooth-crooner, gravel from BREATH-COMPRESSION MASK PLACEMENT not throat strain: soulful blues-infused country-tenor / high-baritone with heavy low-chest anchoring, mask-placed gritty resonance driven forward into the face, breath-compression rasp WITHOUT throat strain, glottal-attack melismatic pentatonic runs, bluesy decrescendo phrasing, sustained A4 belted peaks only on chorus (verses stay LOW in the chest). SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: soulful blues-infused country-tenor / high-baritone (C#3-A4, tessitura E3-E4 with sustained A4 belted peaks) blending country + soul + blues + Southern-rock traditions. MASK-PLACED gritty resonance — directs sound forward into the mask for a snarly bluesy front-of-face timbre. BREATH-COMPRESSION grit: pulls back breath pressure while maintaining hip-anchored support, letting gravel and rasp bloom WITHOUT straining or pushing from the throat. Keeps jaw + neck + shoulders relaxed even on high-A4 belted peaks. Signature melismatic pentatonic runs with GLOTTAL ATTACKS and controlled subtle vibrato accenting specific lyric words. Masterful DYNAMIC CONTROL — bluesy decrescendos and sudden volume drops for emotional depth on line-endings, seamlessly connected chest-to-head-voice transitions (no thin passaggio). Reference: Tennessee Whiskey (A-major 6/8 soul-ballad time), Broken Halos, Starting Over, Fire Away, Millionaire — warm mic'd tube-amp Telecaster + brushed drums + upright bass + Hammond-B3 organ + tasteful pedal-steel swells + Muscle-Shoals-style female-BGV background wash on the chorus. Solo male ONLY as lead, background 'ooh-ah' harmony stacks allowed on chorus, no lead female vocals, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: A major. 68BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. FEATURE INSTRUMENTS: acoustic + electric guitar (tasteful licks under verses, spotlight melodies on intro/outro) AND grand piano (carrying the harmony, tasteful runs under each verse) — spotlight all 2 as layered leads, staggering their entrances across intro/verse/chorus/bridge so each has a moment throughout the mix. Genre fusion: country × country-rock × americana × soul-pop. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel REMIX v2 — Acoustic Unplugged edit in the MTV Unplugged tradition: strip out ALL drums and electronics. Rebuild the arrangement around a fingerpicked acoustic guitar and a soft grand piano. Keep the same melody, same lyrics, same voice — but perform it as an intimate campfire ballad. Add subtle strings and a light brush-on-snare only on the bridge. Vocal should feel closer, more vulnerable, breathy in verses and lifted in choruses. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

CORE INSTRUMENTATION — these instruments are STRUCTURAL to this song, not decorative, MiniMax MUST render each one audibly: violin, piano, guitar. INSTRUMENT DIRECTIONS — hard constraint, AI must obey LITERALLY, do not drop or substitute: Pop violin + piano in the intro, acoustic guitar arpeggio on the outro, pop violin + piano in the intro. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, classical-crossover baritenor, full-bodied resonant open-throated bel-canto tone, Italian-adjacent vibrato, romantic operatic delivery, warm intimate close-mic verses lifting into full symphonic peaks. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: classical-crossover baritenor (F2-D5) — full-bodied resonant open-throated bel-canto tone with Italian-adjacent vibrato, romantic operatic delivery blended into pop-ballad warmth, wide dynamic swells from close-mic verse to full symphonic peaks with brass + strings + choir wash on the chorus. Reference: You Raise Me Up / Believe / Don't Give Up (You Are Loved) / To Where You Are. Solo male ONLY (plus classical mixed-voice choir on the chorus wash), no lead female vocals, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: B♭ major. 75BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. FEATURE INSTRUMENTS: acoustic + electric guitar (tasteful licks under verses, spotlight melodies on intro/outro) AND grand piano (carrying the harmony, tasteful runs under each verse) — spotlight all 2 as layered leads, staggering their entrances across intro/verse/chorus/bridge so each has a moment throughout the mix. PRODUCTION DNA: 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent. Genre fusion: classical-crossover-pop × orchestral-pop × pop-ballad × classical. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel REMIX v2 — Acoustic Unplugged edit in the MTV Unplugged tradition: strip out ALL drums and electronics. Rebuild the arrangement around a fingerpicked acoustic guitar and a soft grand piano. Keep the same melody, same lyrics, same voice — but perform it as an intimate campfire ballad. Add subtle strings and a light brush-on-snare only on the bridge. Vocal should feel closer, more vulnerable, breathy in verses and lifted in choruses. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, classical-crossover baritenor, full-bodied resonant open-throated bel-canto tone, Italian-adjacent vibrato, romantic operatic delivery, warm intimate close-mic verses lifting into full symphonic peaks. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: classical-crossover baritenor (F2-D5) — full-bodied resonant open-throated bel-canto tone with Italian-adjacent vibrato, romantic operatic delivery blended into pop-ballad warmth, wide dynamic swells from close-mic verse to full symphonic peaks with brass + strings + choir wash on the chorus. Reference: You Raise Me Up / Believe / Don't Give Up (You Are Loved) / To Where You Are. Solo male ONLY (plus classical mixed-voice choir on the chorus wash), no lead female vocals, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: B♭ major. 75BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. FEATURE INSTRUMENTS: acoustic + electric guitar (tasteful licks under verses, spotlight melodies on intro/outro) AND grand piano (carrying the harmony, tasteful runs under each verse) — spotlight all 2 as layered leads, staggering their entrances across intro/verse/chorus/bridge so each has a moment throughout the mix. PRODUCTION DNA: 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent. Genre fusion: classical-crossover-pop × orchestral-pop × pop-ballad × classical. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel REMIX v2 — Acoustic Unplugged edit in the MTV Unplugged tradition: strip out ALL drums and electronics. Rebuild the arrangement around a fingerpicked acoustic guitar and a soft grand piano. Keep the same melody, same lyrics, same voice — but perform it as an intimate campfire ballad. Add subtle strings and a light brush-on-snare only on the bridge. Vocal should feel closer, more vulnerable, breathy in verses and lifted in choruses. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE 80S-NEW-ROMANTIC-TENOR LOCK (C3-A4 + falsetto D5) — Duran-Duran / Spandau-Ballet / A-Ha / Wham DNA, keep the theatrical wide vibrato and the arena-scale delivery: theatrical 80s crooner phrasing with wide-open arena vibrato, glam-pop androgynous swagger, layered gated-reverb head voice, chorus-drenched sustained notes, deliberate over-emoted romantic delivery, falsetto pop on the bridge à la True / Take-On-Me / Careless-Whisper. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: STRICT MALE 80S-NEW-ROMANTIC-TENOR LOCK (C3-A4, extending to falsetto D5) — Duran-Duran / Spandau-Ballet / A-Ha / Wham DNA. CRAFT: theatrical 80s crooner phrasing with wide-open arena vibrato, glam-pop androgynous swagger, layered gated-reverb head voice, chorus-drenched sustained notes, deliberate over-emoted romantic delivery, close-mic verse intimacy lifting into anthem chorus belts, signature falsetto pop on the bridge à la True / Take-On-Me / Careless-Whisper. PITCH ARC: verse conversational D3-F3 → pre-chorus G3-B3 mixed-voice → chorus C4-A4 sustained-belt with wide vibrato → bridge D5 falsetto pop. ARRANGEMENT: 118 BPM in C-major — Roland-Juno-60 warm-pad chord bed + LinnDrum-adjacent gated-reverb 80s drum kit + slap-bass or fretless-bass groove + shimmering DX7-adjacent electric-piano bell + chorus-drenched clean electric-guitar accents + sax solo on the bridge + big-hair 80s gated-snare arena reverb. Reference: Duran-Duran-Rio / Spandau-Ballet-True / A-Ha-Take-On-Me / Wham-Careless-Whisper. Solo male lead, gang-vocal chorus stacks permitted, no sirens. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. KEY: C major. 118BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. FEATURE INSTRUMENTS: acoustic + electric guitar (tasteful licks under verses, spotlight melodies on intro/outro) AND grand piano (carrying the harmony, tasteful runs under each verse) — spotlight all 2 as layered leads, staggering their entrances across intro/verse/chorus/bridge so each has a moment throughout the mix. PRODUCTION DNA: 116 BPM in A-minor, layered LinnDrum + trap-hat percussion, sub-bass with sidechain to kick, anthemic supersaw + piano chord stabs on the hook, wide stereo pads, Harry-Styles / Olivia-Rodrigo 2026 sheen | 78 BPM, single fingerpicked acoustic guitar as backbone, soft brush drums or no drums at all, warm upright bass, room-mic'd close-intimate coffeehouse aesthetic, no synths. Genre fusion: contemporary-pop × soul-blues × acoustic × country-rock. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel REMIX v2 — Acoustic Unplugged edit in the MTV Unplugged tradition: strip out ALL drums and electronics. Rebuild the arrangement around a fingerpicked acoustic guitar and a soft grand piano. Keep the same melody, same lyrics, same voice — but perform it as an intimate campfire ballad. Add subtle strings and a light brush-on-snare only on the bridge. Vocal should feel closer, more vulnerable, breathy in verses and lifted in choruses. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE SOUL BARITONE LOCK — keep the modulated rasp (never forced), do not smooth, do not raise pitch: soulful baritone blending gospel+R&B+pop+country-blues, chest-dominant power via resonance NOT shouting, intentional modulated rasp (never forced), mastered MIXED VOICE for seamless chest-to-head transitions, melismatic pentatonic runs, sigh-like rasp placement. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: soulful baritone (A3-C#6, ~2.3 octaves) blending gospel + R&B + pop + country-blues — chest-dominant power via resonance not shouting, intentional modulated rasp (never forced), mastered MIXED VOICE for seamless chest-to-head transitions. Melismatic pentatonic runs + rhythmic ornamentation, dynamic control building phrases from soft to intense, sigh-like rasp placement, forward-placed nasal-to-rich resonance shifts to convey vulnerability. Reference: Lose Control / Bad Dreams / The Door — heavy vocal layering in production for dense textured emotional depth. Solo male ONLY, no female backing, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. KEY: A minor. 82BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. AI DJ LIVE-MIX MODE: perform this track like a live DJ set. Open with a filter-swept intro, cue in the beat with a drum roll, drop the first hook with an air-horn stab. Between every section (verse→chorus→verse→bridge→outro) use a 1-bar transition — either a filter sweep, a reverse cymbal, a vinyl-scratch flourish, or a bass drop. Progressively introduce NEW instruments as the song builds: strip back to just voice+drums on verse 1, add pads on the chorus, add lead instrument on verse 2, add strings/horn stabs on the bridge, then STACK EVERYTHING on the final chorus for the peak. Occasional turntable scratches and DJ ad-lib chops between vocal phrases. INTERLUDE LOOP: after Verse 2 (before the Bridge), drop the vocals and play a REPEATING 8-BAR INSTRUMENTAL LOOP using the feature instruments — a hooky, loopable 4-bar phrase repeated twice — leaving space over the top so a DJ/MC could rap or ad-lib over it live. Keep the same key, same BPM, same groove. Fade the vocals back in on the Bridge. PRODUCTION DNA: 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent. Genre fusion: r&b × soul-pop × pop-ballad × gospel. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE SOUL BARITONE LOCK — keep the modulated rasp (never forced), do not smooth, do not raise pitch: soulful baritone blending gospel+R&B+pop+country-blues, chest-dominant power via resonance NOT shouting, intentional modulated rasp (never forced), mastered MIXED VOICE for seamless chest-to-head transitions, melismatic pentatonic runs, sigh-like rasp placement. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: soulful baritone (A3-C#6, ~2.3 octaves) blending gospel + R&B + pop + country-blues — chest-dominant power via resonance not shouting, intentional modulated rasp (never forced), mastered MIXED VOICE for seamless chest-to-head transitions. Melismatic pentatonic runs + rhythmic ornamentation, dynamic control building phrases from soft to intense, sigh-like rasp placement, forward-placed nasal-to-rich resonance shifts to convey vulnerability. Reference: Lose Control / Bad Dreams / The Door — heavy vocal layering in production for dense textured emotional depth. Solo male ONLY, no female backing, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. KEY: A minor. 82BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. AI DJ LIVE-MIX MODE: perform this track like a live DJ set. Open with a filter-swept intro, cue in the beat with a drum roll, drop the first hook with an air-horn stab. Between every section (verse→chorus→verse→bridge→outro) use a 1-bar transition — either a filter sweep, a reverse cymbal, a vinyl-scratch flourish, or a bass drop. Progressively introduce NEW instruments as the song builds: strip back to just voice+drums on verse 1, add pads on the chorus, add lead instrument on verse 2, add strings/horn stabs on the bridge, then STACK EVERYTHING on the final chorus for the peak. Occasional turntable scratches and DJ ad-lib chops between vocal phrases. INTERLUDE LOOP: after Verse 2 (before the Bridge), drop the vocals and play a REPEATING 8-BAR INSTRUMENTAL LOOP using the feature instruments — a hooky, loopable 4-bar phrase repeated twice — leaving space over the top so a DJ/MC could rap or ad-lib over it live. Keep the same key, same BPM, same groove. Fade the vocals back in on the Bridge. PRODUCTION DNA: 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent. Genre fusion: r&b × soul-pop × pop-ballad × gospel. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE WARM LYRIC-TENOR LOCK (C3-A#4 functional + falsetto to C#6) — Fraser-T-Smith Only-Human-era Calum-Scott, keep the 3-stage build and the vocal-catch cracks: stage-1 bruised-murmur breathy C3-E3 verse with audible half-swallowed breaths, stage-2 pre-chorus mixed-voice lift with signature DELIBERATE VOCAL CATCH on the peak (do NOT smooth), stage-3 cathartic chorus belt to G4-A#4 + rapturous clear-falsetto bridge peaks à la Dancing-On-My-Own / You-Are-The-Reason. Fast tight controlled vibrato, Sam-Smith-adjacent fragility over power. Fraser-T-Smith piano-driven stripped-back arrangement with felt-piano verse into rolling arpeggios + cello counter-melody into full string wash on final chorus. Vulnerable acceptance-to-defiance arc à la If-Our-Love-Is-Wrong — the CRACK is the signature, the CONTRAST between murmur and falsetto is the DNA. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: STRICT MALE WARM LYRIC-TENOR LOCK (functional C3-A#4, falsetto extension to C#6, ~1.8-2.2 octaves per song) — Fraser-T-Smith-produced Only-Human-era Calum-Scott. ARC (mandatory 3-stage build every song): STAGE 1 — VERSE: quiet BRUISED MURMUR in the C3-E3 low-tenor pocket, breathy aspirate close-mic 2-4 inch proximity effect, restrained conversational phrasing, audible vulnerable half-swallowed breaths preserved as musical elements, spoken-song poetic delivery. STAGE 2 — PRE-CHORUS LIFT: opens into a wider mixed-voice belt with signature DELIBERATE VOCAL CATCH / audible cracked-break on the peak note as a stylistic brand (do NOT smooth it out — the crack IS the DNA), fast tight controlled vibrato on sustained notes, Sam-Smith-adjacent fragility over pure power. STAGE 3 — CHORUS + BRIDGE FALSETTO: cathartic sustained mixed-voice-to-belt chorus peaks (G4 → A#4 with occasional falsetto pop to F5), rapturous CLEAR FALSETTO contrast on the bridge for emotional relief à la Dancing-On-My-Own bridge and You-Are-The-Reason final chorus. ARRANGEMENT (Fraser-T-Smith stripped-back ballad blueprint): 76 BPM in F-major, piano-driven foundation (felt-piano upright with sustain-pedal wash on the verse, opening into a full-piano rolling arpeggio on the chorus), Dion-Wardle keyboards + orchestral string bed (Chris-Worsey / Ian-Burdge cellos + Richard-Pryce double-bass) building from soft solo-cello counter-melody on verse to a full sweeping string arrangement on the final chorus. Vocal-as-instrument close-mic recording, minimal-surgical reverb, natural pitch inconsistencies preserved for emotional authenticity (no Melodyne over-tuning — the fragility is the point). If-Our-Love-Is-Wrong DNA: 152 BPM half-time-feel piano-ballad with defiant coming-out-anthem lyric arc — vulnerable acceptance-struggle verse builds accumulated momentum into an empowered independent chorus declaration; the arrangement supports the vocal-arc, never distracts from it. Reference: If Our Love Is Wrong / You Are The Reason / Dancing On My Own (Robyn-cover) / Rise / No Matter What / Come Back Home / Only Human — Only-Human-album stripped-back piano-led emotional-ballad blueprint. Solo male ONLY (Calum-Scott stacked self-harmony background vocals on the chorus permitted per the actual production credits — no other lead vocals), no female backing, no sirens, no synth vox — critically DO NOT smooth the vocal cracks, DO NOT strip the breath sounds, DO NOT force generic-pop belting on the verses (the CONTRAST between bruised-murmur verse and cathartic falsetto chorus IS the Calum-Scott signature). DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. KEY: F major. 76BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. AI DJ LIVE-MIX MODE: perform this track like a live DJ set. Open with a filter-swept intro, cue in the beat with a drum roll, drop the first hook with an air-horn stab. Between every section (verse→chorus→verse→bridge→outro) use a 1-bar transition — either a filter sweep, a reverse cymbal, a vinyl-scratch flourish, or a bass drop. Progressively introduce NEW instruments as the song builds: strip back to just voice+drums on verse 1, add pads on the chorus, add lead instrument on verse 2, add strings/horn stabs on the bridge, then STACK EVERYTHING on the final chorus for the peak. Occasional turntable scratches and DJ ad-lib chops between vocal phrases. INTERLUDE LOOP: after Verse 2 (before the Bridge), drop the vocals and play a REPEATING 8-BAR INSTRUMENTAL LOOP using the feature instruments — a hooky, loopable 4-bar phrase repeated twice — leaving space over the top so a DJ/MC could rap or ad-lib over it live. Keep the same key, same BPM, same groove. Fade the vocals back in on the Bridge. PRODUCTION DNA: 85 BPM in C-major, solo acoustic guitar or piano leading, sparse brushed percussion, intimate close-mic vocals, narrative storytelling arrangement — verse-heavy structure with a bloom on the chorus | 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent | 76 BPM in A-major, dramatic ringing piano octaves, gated snare booms on the chorus, wailing lead-guitar solos on the bridge, stacked-choir backing 'ohh', 80s Journey / Bon-Jovi arena-emotional peak | 104 BPM in E-minor, mid-tempo kick + brushed snare, atmospheric ambient synth pads, ringing clean-guitar arpeggios, Coldplay / John-Mayer emotional maturity. Genre fusion: singer-songwriter × pop-ballad × power-ballad × adult-alternative. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: STRICT MALE WARM LYRIC-TENOR LOCK (C3-A#4 functional + falsetto to C#6) — Fraser-T-Smith Only-Human-era Calum-Scott, keep the 3-stage build and the vocal-catch cracks: stage-1 bruised-murmur breathy C3-E3 verse with audible half-swallowed breaths, stage-2 pre-chorus mixed-voice lift with signature DELIBERATE VOCAL CATCH on the peak (do NOT smooth), stage-3 cathartic chorus belt to G4-A#4 + rapturous clear-falsetto bridge peaks à la Dancing-On-My-Own / You-Are-The-Reason. Fast tight controlled vibrato, Sam-Smith-adjacent fragility over power. Fraser-T-Smith piano-driven stripped-back arrangement with felt-piano verse into rolling arpeggios + cello counter-melody into full string wash on final chorus. Vulnerable acceptance-to-defiance arc à la If-Our-Love-Is-Wrong — the CRACK is the signature, the CONTRAST between murmur and falsetto is the DNA. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: STRICT MALE WARM LYRIC-TENOR LOCK (functional C3-A#4, falsetto extension to C#6, ~1.8-2.2 octaves per song) — Fraser-T-Smith-produced Only-Human-era Calum-Scott. ARC (mandatory 3-stage build every song): STAGE 1 — VERSE: quiet BRUISED MURMUR in the C3-E3 low-tenor pocket, breathy aspirate close-mic 2-4 inch proximity effect, restrained conversational phrasing, audible vulnerable half-swallowed breaths preserved as musical elements, spoken-song poetic delivery. STAGE 2 — PRE-CHORUS LIFT: opens into a wider mixed-voice belt with signature DELIBERATE VOCAL CATCH / audible cracked-break on the peak note as a stylistic brand (do NOT smooth it out — the crack IS the DNA), fast tight controlled vibrato on sustained notes, Sam-Smith-adjacent fragility over pure power. STAGE 3 — CHORUS + BRIDGE FALSETTO: cathartic sustained mixed-voice-to-belt chorus peaks (G4 → A#4 with occasional falsetto pop to F5), rapturous CLEAR FALSETTO contrast on the bridge for emotional relief à la Dancing-On-My-Own bridge and You-Are-The-Reason final chorus. ARRANGEMENT (Fraser-T-Smith stripped-back ballad blueprint): 76 BPM in F-major, piano-driven foundation (felt-piano upright with sustain-pedal wash on the verse, opening into a full-piano rolling arpeggio on the chorus), Dion-Wardle keyboards + orchestral string bed (Chris-Worsey / Ian-Burdge cellos + Richard-Pryce double-bass) building from soft solo-cello counter-melody on verse to a full sweeping string arrangement on the final chorus. Vocal-as-instrument close-mic recording, minimal-surgical reverb, natural pitch inconsistencies preserved for emotional authenticity (no Melodyne over-tuning — the fragility is the point). If-Our-Love-Is-Wrong DNA: 152 BPM half-time-feel piano-ballad with defiant coming-out-anthem lyric arc — vulnerable acceptance-struggle verse builds accumulated momentum into an empowered independent chorus declaration; the arrangement supports the vocal-arc, never distracts from it. Reference: If Our Love Is Wrong / You Are The Reason / Dancing On My Own (Robyn-cover) / Rise / No Matter What / Come Back Home / Only Human — Only-Human-album stripped-back piano-led emotional-ballad blueprint. Solo male ONLY (Calum-Scott stacked self-harmony background vocals on the chorus permitted per the actual production credits — no other lead vocals), no female backing, no sirens, no synth vox — critically DO NOT smooth the vocal cracks, DO NOT strip the breath sounds, DO NOT force generic-pop belting on the verses (the CONTRAST between bruised-murmur verse and cathartic falsetto chorus IS the Calum-Scott signature). DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. KEY: F major. 76BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. AI DJ LIVE-MIX MODE: perform this track like a live DJ set. Open with a filter-swept intro, cue in the beat with a drum roll, drop the first hook with an air-horn stab. Between every section (verse→chorus→verse→bridge→outro) use a 1-bar transition — either a filter sweep, a reverse cymbal, a vinyl-scratch flourish, or a bass drop. Progressively introduce NEW instruments as the song builds: strip back to just voice+drums on verse 1, add pads on the chorus, add lead instrument on verse 2, add strings/horn stabs on the bridge, then STACK EVERYTHING on the final chorus for the peak. Occasional turntable scratches and DJ ad-lib chops between vocal phrases. INTERLUDE LOOP: after Verse 2 (before the Bridge), drop the vocals and play a REPEATING 8-BAR INSTRUMENTAL LOOP using the feature instruments — a hooky, loopable 4-bar phrase repeated twice — leaving space over the top so a DJ/MC could rap or ad-lib over it live. Keep the same key, same BPM, same groove. Fade the vocals back in on the Bridge. PRODUCTION DNA: 85 BPM in C-major, solo acoustic guitar or piano leading, sparse brushed percussion, intimate close-mic vocals, narrative storytelling arrangement — verse-heavy structure with a bloom on the chorus | 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent | 76 BPM in A-major, dramatic ringing piano octaves, gated snare booms on the chorus, wailing lead-guitar solos on the bridge, stacked-choir backing 'ohh', 80s Journey / Bon-Jovi arena-emotional peak | 104 BPM in E-minor, mid-tempo kick + brushed snare, atmospheric ambient synth pads, ringing clean-guitar arpeggios, Coldplay / John-Mayer emotional maturity. Genre fusion: singer-songwriter × pop-ballad × power-ballad × adult-alternative. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed bel OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL GENDER LOCK: SOLO MALE VOICE ONLY. No female vocals. No female backing. No female ad-libs. No sirens. No synth-vox. No pitch-shifted-up voices. Every sung line must be a real male singer. If duet-like sections appear, they must be TWO male voices, not male + female. This is a HARD constraint. TIMBRE: male voice, TWO-REGISTER cinematic anthemic-ballad tenor, sob-voice VERSE with lower-larynx+thinner-folds breathy close-mic vulnerability and audible pre-onset breaths kept UNPOLISHED, CHORUS with passaggio-thyroid-tilt into resonant chest voice with clear high-mix peaks and purposeful vocal cracks preserved, non-tuned CHOIR STACKS on chorus only. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Vocal timbre & range: TWO-REGISTER cinematic anthemic-ballad tenor navigating a sob-voice verse ↔ resonant chest-voice chorus arc — VERSE: lower-larynx + thinner-vocal-folds delicate breathy close-mic sob voice, intimate whispered vulnerability with slight preparatory vocal rattles and audible pre-onset breaths kept UNPOLISHED (rawness is the emotional feature). CHORUS: navigates the passaggio via thyroid-tilt into a thicker resonant chest voice with clear high-mix peaks, purposeful vocal cracks preserved to keep sincerity over technical perfection. Cinematic build from close-mic piano-and-acoustic-guitar verse into a stadium-anthem chorus with extensive non-tuned CHOIR STACKS layered wide. Reference: Ordinary (2025 VMAs / Neumann-U47-recorded / Adam-Yaron-produced) — melancholic introspective verses exploding into explosive high-energy emotional crescendos, gospel-adjacent choir washes, minimal Tube-Tech-CL-1B compressed dynamic range. Solo male ONLY with non-tuned mixed-gender CHOIR backing on the chorus only, no lead female vocals, no sirens, no synth vox. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: A minor. 84BPM. POP CLASSIC INTRO: open the FIRST 4–8 BARS with a STAND-ALONE solo classical piano OR solo classical / fingerpicked nylon-string guitar — NO drums, NO bass, NO other instruments, NO vocals, NO synths, NO pads. Just the raw solo instrument establishing the key + chord progression + mood. Then the band + drums + vocals enter on bar 5 (or bar 9) with a soft controlled build. This intro is a HARD requirement, do not skip it. AI DJ LIVE-MIX MODE: perform this track like a live DJ set. Open with a filter-swept intro, cue in the beat with a drum roll, drop the first hook with an air-horn stab. Between every section (verse→chorus→verse→bridge→outro) use a 1-bar transition — either a filter sweep, a reverse cymbal, a vinyl-scratch flourish, or a bass drop. Progressively introduce NEW instruments as the song builds: strip back to just voice+drums on verse 1, add pads on the chorus, add lead instrument on verse 2, add strings/horn stabs on the bridge, then STACK EVERYTHING on the final chorus for the peak. Occasional turntable scratches and DJ ad-lib chops between vocal phrases. INTERLUDE LOOP: after Verse 2 (before the Bridge), drop the vocals and play a REPEATING 8-BAR INSTRUMENTAL LOOP using the feature instruments — a hooky, loopable 4-bar phrase repeated twice — leaving space over the top so a DJ/MC could rap or ad-lib over it live. Keep the same key, same BPM, same groove. Fade the vocals back in on the Bridge. PRODUCTION DNA: 85 BPM in C-major, solo acoustic guitar or piano leading, sparse brushed percussion, intimate close-mic vocals, narrative storytelling arrangement — verse-heavy structure with a bloom on the chorus | 72 BPM in C-major, close-mic piano lead, subtle string pad, tasteful electric-guitar swells, drums holding half-time backbeat, big emotional chorus lift, Adele-adjacent | 76 BPM in A-major, dramatic ringing piano octaves, gated snare booms on the chorus, wailing lead-guitar solos on the bridge, stacked-choir backing 'ohh', 80s Journey / Bon-Jovi arena-emotional peak | 104 BPM in E-minor, mid-tempo kick + brushed snare, atmospheric ambient synth pads, ringing clean-guitar arpeggios, Coldplay / John-Mayer emotional maturity. Genre fusion: singer-songwriter × pop-ballad × power-ballad × adult-alternative. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. soul × blues × r&b × soul-pop track · confident, aspirational · about honey i want to let you know that in don’t want to go , every-time i member our life together it rattles my heart into c · with a memorable chorus hook REMIX v2 — Live-DJ energy edit: same song, same key, same vocal — but performed like a peak-time DJ set with turntable scratches, air-horn drops, filter sweeps every 8 bars, an extended 8-bar instrumental break where the DJ chops the vocal on the fly, and a wall-of-sound final chorus. OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.

STRICT VOCAL LOCK: DUET pairing — exactly ONE male lead + ONE female lead, trading verses, harmonising the chorus. No solo-only sections, no single-gender duet, no sirens, no synth-vox. TIMBRE — LEAD A: STRICT MALE 80S-NEW-ROMANTIC-TENOR LOCK (C3-A4 + falsetto D5) — Duran-Duran / Spandau-Ballet / A-Ha / Wham DNA, keep the theatrical wide vibrato and the arena-scale delivery: theatrical 80s crooner phrasing with wide-open arena vibrato, glam-pop androgynous swagger, layered gated-reverb head voice, chorus-drenched sustained notes, deliberate over-emoted romantic delivery, falsetto pop on the bridge à la True / Take-On-Me / Careless-Whisper. LEAD B: STRICT FEMALE SULTRY-CONTRALTO-ALTO LOCK (E3-B4) — Sade-meets-Amy-Winehouse velvet-jazz DNA, keep the smoky lower register and the torch-song phrasing, do not raise to soprano or over-belt: sultry smoky lower register, slow deliberate torch-song rubato behind the beat, husky mid-voice with subtle fry line-endings, wide slow expressive vibrato, close-mic bedroom-mic proximity with audible breathy exhales preserved. Both voices audible on the chorus. SIGNATURE VOICE LOCK — HARD constraint, NOT a suggestion. Every phrasing choice, timbre, technique and DNA element listed below MUST be matched exactly — do not swap timbres, do not soften technique, do not "generic-pop" the delivery. Duet pair — LEAD A: STRICT MALE 80S-NEW-ROMANTIC-TENOR LOCK (C3-A4, extending to falsetto D5) — Duran-Duran / Spandau-Ballet / A-Ha / Wham DNA. CRAFT: theatrical 80s crooner phrasing with wide-open arena vibrato, glam-pop androgynous swagger, layered gated-reverb head voice, chorus-drenched sustained notes, deliberate over-emoted romantic delivery, close-mic verse intimacy lifting into anthem chorus belts, signature falsetto pop on the bridge à la True / Take-On-Me / Careless-Whisper. PITCH ARC: verse conversational D3-F3 → pre-chorus G3-B3 mixed-voice → chorus C4-A4 sustained-belt with wide vibrato → bridge D5 falsetto pop. ARRANGEMENT: 118 BPM in C-major — Roland-Juno-60 warm-pad chord bed + LinnDrum-adjacent gated-reverb 80s drum kit + slap-bass or fretless-bass groove + shimmering DX7-adjacent electric-piano bell + chorus-drenched clean electric-guitar accents + sax solo on the bridge + big-hair 80s gated-snare arena reverb. Reference: Duran-Duran-Rio / Spandau-Ballet-True / A-Ha-Take-On-Me / Wham-Careless-Whisper. Solo male lead, gang-vocal chorus stacks permitted, no sirens. LEAD B: STRICT FEMALE SULTRY-CONTRALTO-ALTO LOCK (E3-B4, tessitura G3-G4) — Sade-meets-Amy-Winehouse-meets-Anita-Baker late-night velvet-jazz DNA. CRAFT: sultry smoky lower register anchoring every phrase, slow deliberate torch-song phrasing with intentional rubato behind the beat, husky mid-voice with subtle vocal-fry on line-endings, wide slow expressive vibrato on sustained notes, close-mic 2-4-inch bedroom-mic proximity with audible breathy exhales preserved, restrained never-lifts-above-conversational-belt volume, sensual chest-voice tenderness carried through the chorus. PITCH ARC: verse murmurs in G3-B3 pocket → pre-chorus C4-E4 mixed-voice → chorus F4-A4 sustained with wide-vibrato line-endings. ARRANGEMENT: 78 BPM in A-minor — muted rimshot snare + brushed-hats + upright walking bass + Rhodes / Wurlitzer + subtle string wash + Sade-Diamond-Life-adjacent late-night groove. Reference: Sade / Anita-Baker / Amy-Winehouse smoke-lounge catalogue. Solo female ONLY, no male backing, no sirens, no synth vox. Both singers trade verses and unite on the chorus, keep BOTH distinct timbres audible. DELIVERY MODE — ACTUAL SUNG MELODY, NOT SPOKEN-WORD. Every syllable MUST land on a definite pitch and hold a sustained vowel note with clear melodic intervals — legato phrasing on verses, belted sustained peaks on the chorus, vibrato + melisma on line-endings. NO talk-singing, NO sprechgesang, NO half-rapped delivery, NO Spoken-Word poetry cadence. The vocal must SING with fully pitched sustained notes on every line — if you are unsure whether to sing or speak a syllable, ALWAYS sing it. Only rap sections (if explicitly requested) may use spoken flow — the rest is 100% sung. SING IN ITALIAN ONLY. Strict native-speaker pronunciation — do NOT translate or Anglicize the lyrics. Every syllable must sound like a fluent Italian singer. KEY: A major. 70BPM. AI DJ LIVE-MIX MODE: perform this track like a live DJ set. Open with a filter-swept intro, cue in the beat with a drum roll, drop the first hook with an air-horn stab. Between every section (verse→chorus→verse→bridge→outro) use a 1-bar transition — either a filter sweep, a reverse cymbal, a vinyl-scratch flourish, or a bass drop. Progressively introduce NEW instruments as the song builds: strip back to just voice+drums on verse 1, add pads on the chorus, add lead instrument on verse 2, add strings/horn stabs on the bridge, then STACK EVERYTHING on the final chorus for the peak. Occasional turntable scratches and DJ ad-lib chops between vocal phrases. INTERLUDE LOOP: after Verse 2 (before the Bridge), drop the vocals and play a REPEATING 8-BAR INSTRUMENTAL LOOP using the feature instruments — a hooky, loopable 4-bar phrase repeated twice — leaving space over the top so a DJ/MC could rap or ad-lib over it live. Keep the same key, same BPM, same groove. Fade the vocals back in on the Bridge. Genre fusion: classical × opera × classical-crossover-pop × popera. Blend these 4 genres into ONE cohesive new sound — weave their signature drums, chords, and instrumentation into a single hybrid track. soul × blues × r&b × soul-pop track · confident, aspirational · about honey i want to let you know that in don’t want to go , every-time i member our life together it rattles my heart into c · with a memorable chorus hook OUTRO: end with a FULL CHORUS REPRISE of the exact same hook and key established earlier, then a gentle 8-bar tail fade. DO NOT introduce a new melody, new tempo, new key, or a different song at the end. Same song, same theme, resolved.